The EF mount cinema EOS C300 Mark II camcorder body with dual pixel CMOS AF features a super 35mm CMOS. Canon's Log 3 gamma supports 14 stops of dynamic range. The super 35mm sensor is paired with the Canon DIGIC DV 5 image processor, which uses an innovative method of breaking out red, green, and blue data to enable color performance on a level that would otherwise require three separate chips. The camera records up to 4K DCI resolution video to Cfast 2.0 cards. For more flexibility to adjust your image during post production, the camera also offers Canon's Log gamma mode, which results in excellent tonal reproduction in the highlight and low light regions of an image, and an expanded dynamic range.
IMAGE SENSOR | |
Type | CMOS |
Sensor Size | Super 35 24.6 x 13.8mm effective size / 6.4 x 6.4µm pixel pitch |
Effective Pixels | Approximately 8.85 megapixels (4096 x 2160) Approximately 8.29 megapixels (3840 x 2160) |
Total Pixels | Approximately 9.84 megapixels (4206 x 2340) |
Scanning System | Progressive |
Filter | RGB primary color filter (Bayer array) |
Processor | 2 x DIGIC DV 5 |
LENS SYSTEM | |
Lens Mount | EF |
Built-In ND Filters | Standard: 2, 4, 6 Stops Expanded: 2, 4, 6, 8, 10 Stops |
VIDEO | |
Signal System | NTSC/PAL |
Compression | XF AVC - H.264 in MXF wrapper |
Bit Rates | Intra: 410 / 225 / 210 / 110 Mbps LongGOP: 50 Mbps LongGOP (Proxy): 35 or 24 Mbps (for proxy recording on SD cards) |
Color Space | 4:2:2 (YCC) 10-bit 4:4:4 (RGB) 10 or 12-bit* *Only available with 2048 x 1080 or 1920 x 1080 at 29.97p, 23.98p, 25.00p, and 24.00p |
System Frequency Selection | 59.94 Hz, br> 50 Hz 24 Hz |
EXPOSURE & METERING | |
Exposure Mode | Manual |
Gain | Normal: -2 dB to 44 dB Expanded: -6 to 54 dB |
ISO Range | Standard: 160 to 25,600 Expanded: 100 to 102,400 |
Shutter Modes | Off, Speed, Angle, Slow Shutter, Clear Scan |
Shutter Speed | 59.94i/59.94p: 1/60 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/4, 1/8, 1/15, 1/30; CS: 59.94 - 250.70Hz 29.97p: 1/30 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/4, 1/8, 1/15; CS: 29.97 - 250.70Hz 23.98p/24p: 1/24 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 23.97 - 250.70Hz 50i/50p: 1/50 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12 1/25; CS: 50.00 - 250.70Hz 25p: 1/25 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 25.00 - 250.70Hz |
FEATURES | |
White Balance | Manual 2 Custom (2000 to 15,000K) Daylight (5400K) Tungsten (3200K) |
Exposure & Focus Aids | Peaking (2 types), Zebra Pattern, Magnify, Edge Monitor Focus Assist, Black and White Mode Note: Zebra can be output via the SDI or HDMI jack (HD only) |
Color Bars | Color bars compliant with SMPTE, EBU, or ARIB standards can be selected |
INPUTS & OUTPUTS | |
SDI | 3G-SDI: 2x BNC (output) |
HDMI Output | 1 x Type A |
Genlock | BNC (input only) Adjustment Range: -1023 to +1023 |
Timecode | 1 x BNC Drop Frame (DF) and Non-Drop Frame (NDF) Timecode Modes: Regen, Record Run, Free Run, and External Source Note: Drop Frame works with NTSC modes only and is not available in 24p |
Audio Input | 2x balanced 3-pin XLR (Mic Level, Mic Level with Phantom Power and Line Level), 1x 3.5mm microphone jack |
Headphone Connector | 3.5mm stereo mini-jack |
Remote | 2.5mm LANC-compatible terminal |
Wi-Fi | WFT terminal for compatible Wi-Fi accessory |